The Dinard resort prepares for a British film festival when the body of a director is discovered floating. He had been the victim of a shipwreck in which his sister had died. Are these two events linked?

Brian Drake is hit by a lorry on the way to work and can no longer work. As a result he sets off to become a hermit only to be joined by various other outcasts (a bit like "The Outlaw Josie Wales") and is followed by a private detective working for his wife. He too is an outcast and so joins the group.

Billy and Vince sneak off to go on a hunting expedition. Their wives punish them by pinching their hunting licenses and inform the Warden who arrests them.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

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This is the story of a young man in his thirties who reflects on what he has become, whereas in his memories he was a nice kid. Is he a good person or not, in the end? Do his actions, sometimes glorious, sometimes much less so, or even not at all, make him a nice guy or a scumbag? Unless one can be both.

Anamorphoses of television images combined with fragments from Jerome Bosch’s Garden of Delights painting.

A none dialogue film about a young woman called Sukran, who has an accident when she is 10 years old and stays crippled for the rest of her life. Throughout the film, she seeks to create a common ground with other people. Despite her hunger to do so, she fails with people of the opposite sex, and so turns to her own gender. Again, she meets with failure; and again, she is knocked sideways. Just like all of us, Şükran keeps looking helplessly for ways to communicate with other people until the bitter end. Her helplessness may not be the exact same to our own helplessness as spectators, but they are indeed in very close proximity.

Short from (1896)

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